Improvisation and Consensus building in Jazz and Diplomacy

Exploring Jazz & Diplomacy at the United Nations

  •   Can musicians and diplomats learn from each other?
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    ​“Music is the one art that possibly resembles the most in what we believe in at the UN: it brings us together, it makes us feel as one, it makes us dream as one” said Francesco Pisano, Director of the United Nations Library in Geneva, when opening what he called an “experiment”. This experiment is a musical lecture titled “Improvisation and Consensus Building in Jazz and Diplomacy”, which was held at the UN Headquarters in Geneva on 30 November, with the participation of Israeli-born piano player Yaron Herman, and Ambassador Aviva Raz Shechter, Permanent Representative of ​Israel to the UN.

    Exceptionally held outside of the Library due to the high turnout – more than 180 diplomats and UN/OIs staff were present – the discussion aimed at exploring what Jazz and Diplomacy have in common and if diplomats can learn some skills from Jazz creation.

    After welcoming the guests with a cover of Radiohead’s famous “No Surprises”, Yaron was joined on the stage by Ambassador Raz Shechter and Francesco Pisano.

    The three discussed the role of Jazz and Music in Diplomacy, and exchanged on what they believed was similar between the two domains. For the rest of the event, Yaron Herman and Francesco Pisano tried to respond to the interrogation that motivated this event: What skills and technics used in Jazz improvisation could diplomats translate in multilateral negotiations?

    After 30 minutes of musical delight by Yaron playing some of his composition, including his famous cover of “Ose Shalom Bimromav” and “Yerushalaim Shel Zaav", Ambassador Raz Shechter concluded with a message of hope: “We all hope that all parts of the world suffering -and the Middle East that is going through tough times- will see different realities, much better ones, soon. And if we could have spread many pianos and violins and other instruments all over, so that the children around will play the pianos and not see what they are seeing these days, it would have been wonderful. We Israelis, we always keep our optimism. Best hopes and wishes for a better future, for the area, for the international community. And we hope that Yaron contributed a bit to that”.
     
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  • HIGHLIGHTS - ROLE AND SIMILARITIES BETWEEN JAZZ & DIPLOMACY

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    Ambassador Aviva Raz Shechter
    (16:12) “Listening to Yaron at the very beginning, I was saying to myself that if we had partners with different interests, seating around the table and needing to reach an agreement, we would just need Yaron to come in and play a bit. And everything will be resolved I suppose.”

    (16:53) “We also need keys. A Diplomat can prepare very well for a negotiation and think that he knows the other side very well. But when he comes to the table, he finds out that there are a lot of surprises there. That also the other side prepared very well, and he is surprising him with a different skim or a different mind-set. And of course we are talking about parties that do not necessari​ly share the same values, concept, culture, mind-sets, so very many differences. 

    (17:38) So the first thing, I think, is really to create at least some music between the sides, between the parties. To find the right path in order to reach this same goal, whether it is peace, or something close to that, or a compromise. And this is certainly a long effort, a tiring one, this is maybe something that does defer between us, diplomat, to musicians.

    (18:46) And in this regard, I believe that if diplomats would have been good musicians, they could have done much better.

    Yaron Herman
    (12:21) “When you are a diplomat you are necessarily representing a country. Music has this power of bypassing identities. It’s kind of a global, more basic human need. It goes beyond social backgrounds, beyond the country where you were born. It allows you to use your culture to connect with other people.”

    (12:52) “In a way I believe that musician do have a role to play in the sense that by making music with other people from different cultures, you kind of enrich your own culture and create dialogue. That’s what music is all about. Sharing something that is really common to the human experience.”


  • HIGHLIGHTS – JAZZ SKILLS APPLIED TO DIPLOMACY

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    Yaron Herman
    (21:38) "For music to happen, certain ingredients need to be respected. Jazz is an art form in which you might have someone who is the leader – like the band leader pf the group – but once the music begins it’s a very collective and collaborative process. So, basically it’s like having a President that changes every 2 minutes; someone who is taking the lead. Like Switzerland."
     
    (22:15) “Having this knowledge that you will not always have to be leading. You have to accept, sometimes for one thing to be in the front, something has to be in the back. So you accept, sometimes, that’s kind of a cicle. And you have to really develop your capacity to adapt in real time. I think that’s the most important thing.”


    (23:18) “Once you know the context, once you know what are the tools that you have at hand, all the musicians are in accord to pursue the same goal. Which is making music happen. So they accept that in order to achieve the final goal – which is transmitting some emotions – they have to play their role in the right moment.”

    (30:30-35:20) Emotional Intelligence applied to collaborative negotiation: Is it possible that Jazz contains something that we can extract from the methodology? 
    " There are three main ingredients: IQ (intellectual) – EQ(emotion) – OQ (Obsession) – combined can lead to what people call “talent”
    1. Intellectual: ability to recognize patterns in real time
    2. Emotional: learning more about ourselves – what are our weaknesses, forces, what is preventing us from being creative?
    3. Obsession – healthy obsession. You cannot develop anything without practicing. It has to be a passion.

    (35:14-38:48) The importance of listening