Joseph Cedar filmmaker

Joseph Cedar filmmaker

  •   Joseph Cedar's magic touch
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    The Israeli filmmaker says the Israeli filmmaking has matured into a competitive and cutting-edge industry. Cedar's 2011 movie Footnote won Israeli Ophir Awards for best director and best screenplay as well as the best screenplay award at the 2011 Cannes Film Festival, and is considered a likely Oscar contender in the foreign film category. ​​​
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    Joseph Cedar Joseph Cedar
    Joseph Cedar's 2007 film Beaufort won Israel's first Academy Award nomination in 24 years.
     
    Award-winning Israeli director-screenwriter Joseph Cedar says that in the past decade, Israeli filmmaking has gone from frank failure to startling success. "The dynamic of the industry now is extremely competitive and forces anyone making films to do better work," says Cedar, 43, whose 2011 movie Footnote won Israeli Ophir Awards for best director and best screenplay as well as the best screenplay award at the 2011 Cannes Film Festival.
     
    "It's clearly due to more than one factor. There is a new generation of filmmakers and of public officials who have the power to decide where funds go. There is also the magical factor having to do with the connection between what the audience wants and what filmmakers want to make."
    That's a big leap from 2000, when his first film, Time of Favor, was released. Cedar said during a 2005 interview that his declared intent with this maiden project was "a reaction against the failure of Israeli cinema to reach an audience. Despite the fact that there are Israeli movies that I very much like, there isn't much influence of Israeli cinema on my work." He cited American director-writer-producer James L. Brooks as a role model.
     
    Today, however, his primary concern is that Israeli filmmakers are advancing almost too rapidly. "We have to ask ourselves how to sustain this level," he says during a phone interview from Tel Aviv, where he lives with his wife, Globes writer Vered Kellner, and their three children.
     
    Big passion
     
    Cedar was born in New York to Howard (Haim) Cedar, a biochemist who has won the Israel Prize and the Wolf Prize, and Tzippi Cedar, a psychodrama therapist. The family moved to Israel when he was in first grade. He and his six siblings grew up in a religious neighborhood in Jerusalem, and he attended a yeshiva high school before earning a degree in philosophy and the history of theater at the Hebrew University of Jerusalem.
     
    He then pursued cinema studies at New York University, returned to Israel and moved to a West Bank settlement for two years in order to gather material to write Time of Favor (HaHesder in Hebrew). The film won six Ophir awards from the Israel Film Academy, including best picture.
    His second film, Campfire (2004), also centered on West Bank settlers and garnered five Ophirs including best picture, best director and best screenplay. For Beaufort (2007), based on Ron Leshem's bestselling novel about Israel's military retreat from Lebanon, Cedar received international accolades including Israel's first Academy Award nomination in 24 years.
     
    In Footnote, also considered a likely Oscar contender in the foreign film category, Cedar focused his lens on Hebrew philology (the study of linguistics in literature) and Talmudic scholarship through the story of father-son rival professors. "The more esoteric the topic, the bigger the passion," Cedar said in an October New York Times interview about the film.
     


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    ​Does the same adage hold true for him as a filmmaker? "It is hard to explain why that gap exists between the amount of passion you need to turn a passion into a life project," he answers, "and I think it's also true for me."
     
    A stamp of quality
     
    Footnote is now being "shepherded" in the US market by media giant Sony Pictures Classics. "It's really interesting to watch the gradual process of screening to find the right people - almost a support group," Cedar says. "I'm really privileged to have Sony behind me. They give the film a certain stamp of quality I'm enjoying for the first time."
     
    Cedar certainly could have pursued his career in the United States and gets regular enticements to do so. "The tension in my life is that there are projects being offered to me that are broader than I usually deal with," he admits. "It's something I'm considering. But the issues that become significant enough for me to want to make a film about them all have to do with the life I have here in Israel. It takes special effort to dive into a project distanced from my life."
     
    More than one observer has identified Cedar's genius in his "ability to merge the Israeli spirit with the universal cinematic codes," as Israeli film critic Yair Rave put it. By sticking to topics he knows intimately, Cedar may be uniquely positioned to present the real-life subtleties of Israeli culture to the theater-going world at large in a way nobody else can.
     
    With characteristic modesty, he speculates that he can hardly be the only talented fish in the sea."Like in every other film industry, about 80 [Israeli] directors have made good films and about 5,000 more haven't made their first film yet," he says. "You hope that one of those 5,000 is better than the 80 currently working. Statistically, that is probably true."
     
    Though he often travels to attend film festivals and press events - Paris and Poland are next on his itinerary - Cedar finds the time to teach occasionally at Jerusalem's Sam Spiegel Film and Television School and Ma'ale School of Film, Television and the Arts.
     
    As for future projects, Cedar will only reveal that he is "working on something that has to do with that tension between universal themes and themes important just for me."